Edited to ask: Is each session counted as a separate taxable event, as a win or a loss? Or do we take the end of year aggregate total to count as a "win" or "loss"?
I tried Googling this, but it is really unclear. I do not intend to file as a professional gambler, I have a job. I also don't plan on playing high stakes, maybe just make around $10-20k a year. As far as I can tell, "winnings" must be reported, and losses aren't reported unless you ITEMIZE deductions, which I don't plan on doing. Does Pokerstars provide an annual tax form?
Additionally, poker "winnings" get added your Modified Adjusted Gross Income, but "losses" to not get deducted from your MAGI. In my case, I qualify for an Obamacare subsidy for having a MAGI under a certain number. It looks like I could lose this, even I have a net loss for the year.
So let's say I start the year winning 10 sessions in a row, and am up $10k, but I play 10 more sessions and lose $15k. Am I now forced to pay taxes on $10k for the year?
Also, are gambling winnings taxed at a different rate? Will they change my tax bracket?
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---- Ghislaine Maxwell – Silver Spoons and Hard Times August 9, 2020 By Paul Serran https://frankreport.com/2020/08/09/ghislaine-maxwell-silver-spoons-and-hard-times/ http://archive.is/by7md Ghislaine Maxwell led much of her life under the world’s fascinated microscopic view, always enthralled by her – famous and infamous – as it watched her fortunes wax and wane. From the celebrated miracle daughter of media tycoon Robert Maxwell; to the broken young woman who fled scandal in the UK to a small New York apartment, trying to launch a new life; the rebirth Jet-set Ghislaine, who was everywhere at once, longtime companion of Jeffrey Epstein, a man even richer and more shady than her father; the sophisticated middle age woman, a runaway alleged criminal trying hard to avoid detection by her pursuers – finally, to the incarcerated, indicted suspected sex trafficker and perjurer. Ghislaine was Robert and Betty Maxwell’s miracle baby, born on Christmas Day, 1961. Two days after that, their eldest son suffered a fatal car accident. In 24 hours, it all had been somehow foretold: joy – and then tragedy. During the Swinging Sixties, Robert Maxwell served two terms as a Labour Member of Parliament (MP) for Buckingham. He led a multimillionaire lifestyle, and was the host of star-studded parties at Headington Hill Hall, his baronial fifty-three-room Oxford mansion. The Maxwells spent a million dollars redecorating the mansion. In a stained glass window scene for the imperial staircase, Israeli sculptor Nehemia Azaz depicted Robert Maxwell as the biblical hero Samson tearing down the gates of Gaza: “a titan of luck, impossible achievement, and unlimited wealth”. They had the use of chauffeured luxury cars. They traveled the world in Robert’s Gulfstream IV Jet and his sleek 180-foot yacht, named Lady Ghislaine. “If Bob Maxwell didn’t exist, no one could invent him,” Labour Party leader Neil Kinnock celebrated the bombastic, demanding mogul who dined with kings and presidents and had a bottomless appetite for family, food, fortune, and fame. The first brush with financial and professional hardship came at a age when young Ghislaine would have been mostly sheltered from it. In the early seventies, after Robert Maxwell tried similar shenanigans in a failed attempt to swindle the American financier Saul Steinberg, who was interested in a strategic acquisition of Pergamon Press. Steinberg claimed that during negotiations, Maxwell falsely stated that a subsidiary responsible for publishing encyclopedias was extremely profitable. At the same time, Pergamon had been forced to reduce its profit forecasts for 1969 during the period of negotiations, leading to a suspension of dealing in Pergamon shares on the London stock markets. It was found that Maxwell had contrived to maximize Pergamon’s share price through transactions between his private family companies. This was a criminal practice he would utilize again in the future. Inspectors from Britain’s Department of Trade and Industry declared Maxwell unfit to run a public company: “Notwithstanding Mr. Maxwell’s acknowledged abilities and energy, he is not in our opinion a person who can be relied on to exercise proper stewardship of a publicly quoted company.” ‘Captain Bob’ established the Maxwell Foundation in tax haven Liechtenstein, in 1970. By the 1980s he come back roaring, prompted by money later said to have originated in the Soviet Union. He bought the Mirror Group built and a massive media conglomerate. The good times were on: Ghislaine was nicknamed “The Shopper” because of her wild spending funded by Robert’s millions. He also bankrolled her failed corporate gifts business. During this period, she reportedly had a VERY close relationship with her father and was widely credited with being her father’s favorite child. In Oxford, Ghislaine led a student life of wealth and privilege. Her father would send Filipino servants to the college house she shared to clean, arrange the table and cook, in the event of a party. Her career piggybacked on her father’s businesses. She was made director of the Oxford United, and later, put in charge of “special projects” of the New York Daily News. With her father’s money, she found her way into society, especially in New York — a haven where she could escape his complete control. But the good times were not to last. Overextended and over-leveraged, Maxwell’s empire was about to crumble. At this time, Maxwell reportedly was a regular at London’s casinos, playing three tables at once, even dropping $2.5 million in a single night. For years, he had been an inveterate gambler, but this was the behavior of a desperate man whose time was running out. “He was a very crude man,” said a female writer for Time magazine. “His polish was not very deep. If you were with him for any length of time, it peeled away. I was in his library in the Maxwell House penthouse—a beautiful apartment with marble and servants all over the place—and while I was admiring his books, his valet said to me, ‘You should see Mr. Maxwell’s collection of pornographic tapes’.” Ghislaine visited her father in his office before he flew off to Gibraltar. “He was looking for an apartment in New York—a sort of pied-à-terre, where he could talk and have meetings—and he wanted me to help him,” she told Vanity Fair. “He asked me to go see a particular apartment. He said, ‘If you like it, I’ll make time to see it and come to New York.’ ” But the next time Ghislaine saw her father, he was dead. ”Ghislaine is the baby of the family and the one who was closest to her father,” her mother Betty told Vanity Press. ”The whole of Ghislaine’s world has collapsed, and it will be very difficult for her to continue.” When she finally appeared before the reporters, she had collected herself. “How did your father die?” a journalist shouted at Ghislaine Maxwell. “He did not commit suicide. That was just not consistent with his character. I think he was murdered. ” Maxwell, it turned out, had debts of nearly $5 billion, and had stolen hundreds of millions from the Mirror Group’s pension funds to shore up his faltering companies. That left 32,000 employees exposed to retirement ruin. The irony was not lost on the hard-hitting British press: Robert Maxwell, a socialist, stealing hundreds of millions of pounds from the Mirror’s pension fund! He swindled money from two of his public companies, transferred millions in and out the secret family trusts in Liechtenstein, to manipulate the share price of his Corporation. Robert was called “rogue,” “crook,” “bully,” “thief,” “megalomaniac,” and “gangster.” The press told lurid tales of his sex orgies with midget Filipino hookers. He was seen as a 310-pound aberration gorging on spoonfuls of caviar. An erratic and cruel tyrant who used Turkish towels for toilet paper. Journalists wrote that he was a spy for the K.G.B. or Mossad or Czech intelligence—or all three. “My daughter Ghislaine has no money, no trusts, no funds anywhere.” her mother Betty told Vanity Fair. “Neither of [my children] had any money. Their father never gave them any money.” Their assets were frozen. His son Kevin’s house was put up for sale, as were the Lady Ghislaine and the Gulfstream IV Jet. Their passports were seized. A friend told The Times of London, “[Ghislaine] had always been the life and soul of the party wherever she wanted to go in the world and never had to worry about money.” Now she was the broken child of a monster, his name forever synonymous to scandal. “She was catatonic,” the friend said. Forced to vacate her huge company-provided residence, she moved into a small apartment. When a friend came to visit, Ghislaine told her, “They took everything—everything—even the cutlery.” Little did she know how many more times things in her life would shift from silver spoons to hard times. A woman brought up in luxury, she had everything taken from her, before she came to the United States to begin again. “He wasn’t a crook,” Ghislaine told Vanity Press. “A thief to me is somebody who steals money. (…) Did he put it in his own pocket? Did he run off with the money? No. And that’s my definition of a crook.” “I’m surviving—just,” she said. “But I can’t just die quietly in a comer. I have to believe that something good will come out of this mess. It’s sad for my mother. It’s sad to have lost my dad. It’s sad for my brothers. But I would say we’ll be back. Watch this space.” Ghislaine Maxwell was also being hunted by the tabloids. The Maxwell name was so detested in London that she is said to have had to walk around in a blond wig so people wouldn’t recognize her. Ghislaine Maxwell’s reinvention didn’t take long. Maxwell moved to the United States just after her father’s death. Her photograph boarding a Concorde to cross the Atlantic caused outrage – her father had just defrauded pensioners out of 750 Million Sterling Pounds. According to the Mail on Sunday: “Unnoticed by almost everybody, traveling with her was a greying, plumpish, middle-aged American businessman who managed to avoid the photographers. It is to this man that 30-year-old Ghislaine has turned to ease the heartache of her father’s shame.” “His name is Jeffrey Epstein.” “Whose house is this, Ghislaine?” a friend asked her in the early 1990’s. “Who lives here?” My friend,” Maxwell replied. “Well, is he banging you?” the friend demanded. “What’s the scoop here?” A trust fund is said to have provided her with an income of $145,000 a year. A far cry from her previous seemingly unending wealth. She “never, ever had any cash. Lots of credit, of course, but no cash”, one friend recalled to the press. And yet, she lived the high life. She was known in New York as the “female Gatsby” for her lavish entertaining. Had a “reputation for being charming and funny, and a glittering lifestyle straight out of the pages of a society magazine”. She was now “far from the ever watchful eye of the British press,” Hello! magazine wrote in 1997. “She is proud of the fact that her new life is all down to her own hard work and has her elegant apartment to show for it,” the magazine mistakenly added. One day, she would “get married and have kids. But it has never been a focus: My focus is my business.” Ghislaine’s presence added more fuel to the question: “How did Jeffrey Epstein amass his fortune?” For one of the most propagated theories is that Maxwell’s father Robert bankrolled him with funds hidden from the UK authorities. Jeffrey Epstein built a 21,000-square-foot mansion on a massive ranch in New Mexico, which – he boasted – made his New York townhouse “look like a shack”. He named it the Zorro Ranch. He also acquired a 72-acre island in the Virgin Islands and an 8,600-square-foot home in Paris, with a specially built massage room. She had found a path back to the lifestyle she’d lost when her father died. “She was used to living very well,” says a friend who knew her then. “She didn’t want to go back to where she was.” All she had to do to keep it was to give ‘the monster’ what he wanted. Maxwell was expected to drop everything to serve Epstein. She had to keep everyone in line, because one misstep would unleash the wrath of Epstein, one of the few people who could make Maxwell cry. “He would be screaming over the phone,” recalled an Epstein victim, “and she would burst into tears.” The New York townhouse became a social nexus; guests could have included members of the Kennedy and Rockefeller clans, “along with the requisite sprinkling of countesses and billionaires,” according to The Times of London. She was “a modern-day geisha” in a “domain filled with the richest people in the planet. “It’s a world frequented by young half-naked girls in bikinis, billionaires and lavish lifestyles, but it borders on the grotesque. You are never really sure what is going on behind closed doors.” Royalty was specially prized, which is why her friendship with Prince Andrew became so treasured. In 2000, Maxwell and Epstein attended a Prince Andrew’s party at the Queen’s Sandringham House estate in Norfolk, England. It has been reported that the event was in honor of Maxwell’s 39th birthday. And yet, Ghislaine began trying to distance herself from Epstein long before he went to jail. In the early 2000s, she hooked up in California with a man much richer than Epstein: Ted Waitt. Waitt lived in a seven-bedroom, 14-bath mansion in La Jolla, sailed the world aboard a 240-foot mega-yacht, the Plan B. It was equipped with a helipad, Jacuzzi, elevator, gym, and HAD AN ONBOARD SUBMARINE, which Maxwell soon was licensed to pilot. After Epstein went to prison in Florida for a short period, Maxwell saw the silver spoons turned into hard times again. Acquaintances that crossed her path reported how she was almost unrecognizable. She was not stylish and attention grabbing anymore, seemed determined to go unnoticed. Her face had no makeup. There was a hint of gray in her black hair, she put on some weight. “I was so shocked by her look,” a friend recalled to the British press. “I didn’t recognize her.” She even gave up her once proud name, sometimes introducing herself to new acquaintances only as “G.” “Where are you living, Ghislaine?” the friend asked. “I lost touch with you.” Maxwell suddenly went blank. “Oh,” she replied, “a little bit everywhere.” December 2014: Virginia Roberts Giuffre filed a motion in the Southern District of Florida describing Maxwell as Epstein’s “primary coconspirator and participant in his sexual abuse and sex trafficking scheme.” Maxwell made a huge mistake, issuing an “urgent” statement to the media dismissing the claims as “obvious lies.” That allowed Giuffre, to sue Maxwell for defamation in federal court in New York, a lawsuit “widely viewed as a vessel for Epstein’s victims to expose the scope of Epstein’s crimes,” according to the Miami Herald. Maxwell affirmed her innocence with fury, at one point of her testimony banging her fists on the table. She also, according to charges filed by the DOJ SDNY, committed two counts of perjury. 2019: when the SDNY reopened the criminal investigation into Jeffrey Epstein, Ghislaine was far away, living the high life. She met with her friend Prince Andrew in Buckingham Palace, and participated in “Cash & Rocket”, an annual charity road rally. Between races of the rally, she joined the super rich in attending a Masquerade Ball in London’s Victoria and Albert Museum, as well as a White dinner at La Reserve in Geneva and the Red party at the Yacht Club de Monaco. Those were to be her last reported events. Cash & Rocket scrub Maxwell’s photo from its website once Epstein was arrested and the scandal assaulted the headlines again. On July 6, 2019, Epstein was arrested by federal agents at Teterboro Airport, arriving from Paris. The FBI raided his mansion, and charged him with sex trafficking of minors. “Epstein’s pimp girlfriend, Ghislaine Maxwell, a very well-connected Brit socialite cannot just walk free,” actress Ellen Barking tweeted the day after Epstein’s arrest. “This woman is his pimp. She pilots planes [sic] to and from the island. I know because she told me.” Maxwell again went into hiding, unreachable during legal proceedings. It surfaced in December 2019 that Maxwell was among the people under FBI investigation for facilitating Epstein’s crimes. She was faced with a tabloid frenzy even bigger than the one that accompanied the death of her father. She again uprooted herself and tried to start over in Manchester-by-the-Sea, a quiet village 30 miles north of Boston, she lived for a time in the $3 million, five-bedroom colonial home of Scott Borgerson, CEO of CargoMetrics, a hedge fund investment company involved in maritime data analytics. Since Epstein was found dead in jail, last August, she is reported to have moved 36 times, out of fear for her safety. Credible Death threats arrived by social media, email, phone, text, and postal service. It began in earnest with Epstein’s arrest, multiplied with his death, and accelerated in the months that followed. They soon became a routine part of her life. She hired a professional security firm, with operatives that are veterans of intelligence and law enforcement agencies. This photoshopped photo of Maxwell surfaced last year to mislead the public into thinking she was in Los Angeles. Frank Report was the first to report the photo a fake, a story that went viral. “Where in the world was Ghislaine Maxwell? Everyone, it seemed, had a theory, each wilder than the last. She was said to be hiding deep beneath the sea in a submarine, which she was licensed to pilot. Or she was lying low in Israel, under the protection of the Mossad, the powerful intelligence agency with whom her late father supposedly tangled. Or she was in the FBI witness protection program, or ensconced in luxury in a villa in the South of France, or sunning herself naked on the coast of Spain, or holed up in a high-security doomsday bunker belonging to rich and powerful friends whose lives might implode should Maxwell ever reveal what she knows—all the dirty secrets of the dirty world that she and Epstein shared.”
(Vanity Fair – Jul 3, 2020)
Maxwell remained at large, beyond the reach of attorneys, tabloid reporters, and a 10,000-pound reward from The Sun in London. “It’s a little bit like Elvis—you get lots of reports but they’re hard to verify,” a victim attorney said in May. She was periodically said to have been spotted around the world, usually in places where she was not. Reporters scoured the globe. Some said she was in Russia trying to get a Oligarch to protect her. Others pointed to Israel or Brazil, China, Singapore, the Middle East, England. She was “both everywhere and nowhere,” lamented UK’s The Guardian. On August 2019, she was apparently photographed eating a burger and fries in the Cahuenga Boulevard, in the San Fernando Valley. She held The Book of Honor: The Secret Lives and Deaths of CIA Operatives. Given Ghislaine and her father Robert’s alleged ties to Intelligence Services, this choice does not seem accidental. Papers were running out of incredible stories to account for her disappearance. A bizarre new theory emerged she could be hiding in a submarine which – as we saw – was not downright impossible, since she DID have a license to pilot underground vehicles. On July 2nd 2020, Maxwell was arrested by the FBI and NYPD in the small New England town of Bradford, New Hampshire. It is situated at driving distance of the NYSD. They finally found her in a luxurious four-bedroom, 4,365-square-foot home on a wooded lot, called Tuckedaway. Ghislaine Maxwell was charged with six federal crimes: luring and enticement of minors, sex trafficking of children and perjury. The crimes took place between 1994 and 1997, the years of her “intimate relationship with Epstein,” when she “assisted, facilitated, and contributed to Jeffrey Epstein’s abuse of minor girls.” One of the three unnamed victims was “as young as 14 years old when they were groomed and abused by Maxwell and Epstein, both of whom knew that certain victims were in fact under the age of 18.” FBI assistant director William F. Sweeney Jr. described Maxwell as “one of the villains of this investigation,” who had “slithered away to a gorgeous property” in New Hampshire, where she was “continuing to live a life of privilege while her victims live with the trauma inflicted upon them years ago.” “I am optimistic about my future,” she said in 1997, “and believe things will continue to improve for me as time passes.” Now, according to sources close to her, “I don’t think [Ghislaine] sees there is a future,” came the reply. If found guilty of all charges, Maxwell could face a prison sentence of 35 years. She denies the accusations, and has pleaded not guilty to all six charges. She will await trial locked up in the Metropolitan Detention Center, in Brooklyn. A dreadful prison that is as removed from her previous “silver spoon” upbringing as it’s possible in the US. Hard times. She used to be a larger than life character, who once hosted a dinner for NY socialites on ‘the fine art of giving a blow job’. But then, she really blew it. A report from a source familiar with the Metropolitan Detention Center gives a glum picture of Ghislaine Maxwell’s present conditions. She is in the women’s section and believed to be confined to a solitary cell. Because of the past history of the MDC, it is not impossible to suspect that Ghislaine could be having sexual relations with one or more corrections officers, either male or female. Her available wealth would permit her to buy some privileges directly from the corrections officers who could smuggle in items for her. MDC has a history of guards, male and female, enjoying sex with prisoners and smuggling in everything from alcohol to cell phones to drugs. While she is not enjoying what anyone would call a privileged life, and is most likely [because of Covid protocols] confined to her cell, dank and cold [in summer] perhaps as much as 23-24 hours per day and possibly getting only one hot meal per day, our source says, with her wealth and talent to charm, if there is any privilege, any opportunity, any luxury to enjoy at MDC, she is enjoying it. Of course, she is probably under near-constant surveillance, for no guard wants to go to prison for letting her get murdered or commit suicide – as did her former lover Epstein. It is not known how frequently she is meeting with lawyers in special rooms set aside for the purpose. But an MDC source tells Frank Report that prison officials are known to eavesdrop on those conversations with lawyers and defendants and do so on high profile cases. Whether they report to the prosecution what they learn is unknown. In the end, Maxwell has a hard road to hoe and will remain in the brutal and unsanitary MDC until she stands trial or makes a plea deal or dies. The possibility of additional charges other than those currently charged against her – for hebephilia crimes in the last century – remain a possibility. The late Jeffrey Epstein was a convicted hebephile, a person who has urges for post pubescent but under the age of consent children. Is Ghislaine one also? And are there others, famous and prominent men of power who have indulged as Jeffrey and allegedly Ghislaine have done? The ace in the hole for her, obviously, is, if she has info on other prominent hebephiles that the DOJ for its own partisan or PR reasons might like to selectively prosecute, she can trade that info for a lenient sentence and hopefully not be murdered for doing so. Her former lover, Jeffrey Epstein, might have committed suicide, as the Mainstream Media and the US Govt. urges you to believe, but there are some who find the coincidences, cameras being off, bones broken indicating he was strangled, guards happening to fall asleep as they were assigned to watch the most famous prisoner in the world, such that that it just might cause reasonable people to doubt the official narrative a little more than the corporate media and prison officials would wants us to doubt. The same fate might befall Ghislaine and we may never know just what she did. Whether her crimes were confined to herself and Epstein or whether there was a vast network of hebephiles joining in – or – in fairness to her – she is innocent as she claims, something that a trial, if she makes it to trial, might help us determine. stretcher during the funeral service in Jerusalem’s main convention hall on Nov. 10, 1991. The body is laying on a stretcher, draped in a white Jewish prayer shawl with black stripes as is it tradition of Jewish burials in Israel. (AP Photo/Natik Harnik) Ghislaine is fourth from the left. https://preview.redd.it/vnzmapdilrg51.png?width=432&format=png&auto=webp&s=bde723c918da88ce07aa1091b70c77baa76c0562 https://preview.redd.it/6v6qco3llrg51.png?width=509&format=png&auto=webp&s=7531e39667e4ee9f869b6c56ef8c53e118a8909f https://preview.redd.it/xu6z62snlrg51.png?width=574&format=png&auto=webp&s=c96a9decc1af25e8adc0e31b9cdad1d51c67faee |
NB: I first published this article on another site, but figured there would be enough interest from people on this subreddit to reproduce it here, since it gathers some useful information that may help other playing card enthusiasts. It was originally posted here: https://playingcarddecks.com/blogs/all-in/how-to-create-your-own-deck-of-playing-cards A Guide to Publishing Your Own Custom Deck Do you want to make your own deck of playing cards? For the modern playing card enthusiast, our current technological climate means that the resources to make your own deck of playing cards are well within reach. Publishing your own custom deck is much easier than you might think. There was a time where the only channels for producing a custom deck were via the few playing card manufacturers that existed around the world. To get a design successfully into print, you needed to be one of the select few artists that these manufacturers collaborated with.
But today it's a brand new world, and the hobbyist playing card designer now has the ability to turn his personal design into something fantastic. Courtesy of technology and of the internet, you don't even need to be a highly trained graphic designer to create something truly beautiful, and if you have the right software and artistic skills, you can design something impressive on your home computer, and get it professionally printed. There's even a chance that your design could even become the next big thing!
Even if your aim is more modest, at the very least you can find a way to bring your design from your computer screen and turn it into an actually published deck. With the help of today's technology, it's really not that difficult to find printers that will produce your playing cards for you. And if you really want, you can even try to harness the power of crowdfunding to get the financial backing needed for a larger print-run, and get your deck into the hands of other playing card enthusiasts.
But how do you go about creating your own deck of playing cards, what are some key elements of this process, and what do you need to know? In this article, we'll help by giving you an overview of everything involved, and share some of the key things to consider. There are five main steps to be thinking about:
- Concept
- Artwork
- Funding
- Production
- Fulfillment
1. CONCEPT: Your Idea Before you think about the ways that you are going to achieve your dream of printing your own deck, you want to think carefully about what your personal goal is and have a clear idea of what exactly you are aiming for. There's going to be a lot of decisions that you have to make as part of the process of producing your own deck, so it makes sense at the outset to consider carefully the different factors and choices you have.
Your Theme What will the theme and central idea of your deck be? It's worth doing some research to see what is already out there. Has the concept of your deck been done before? Has the name you have in mind already been used by an existing project? There's nothing worse than pouring an enormous amount of energy into a project, only to discover that someone else has beat you to the punch, or that a similar product or design already exists. Is your theme just of personal interest, or is it something that you're going to have to bring to the masses? If so, you want to try to find out if it's something that will interest enough people to make your creative efforts worthwhile.
You also have to be careful with projects based on popular music, films, or books. These are typically protected very carefully by laws governing trademarks and copyright, and you'll only be able to use their names or artwork if you get a license to do so. These licensing requirements are typically frightfully expensive and will put such projects well out of reach for the average person.
Your Purpose Further along the road there will be questions you'll need to answer about the kind of card stock to use, and what company to use for printing your deck. You'll also have to answer questions about the artwork, such as: Are you going to have standard faces, except perhaps for the Jokers and Ace of Spades, or is your deck going to be fully customized? If so, will it primarily be the court cards, or will you have totally custom pips and indices too?
How you answer these questions will usually depend on what you plan to use your deck for:
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For card games and magic: Is your deck primarily going to be used for playing card games or for performing card magic? For example, maybe you're a magician and want a custom deck that says something about your brand or image. If so, then you probably want to make sure it remains that everything about it remains clear and functional, and you don't want to deviate too much from the standard formula, or from traditional courts. Otherwise your deck might unnecessarily draw attention to itself, or even suspicion. At the very least, you don't want spectators or fellow gamers distracted too much by novelty, or have cards that are extremely flashy but where the values and suits are very difficult to distinguish with ease, and that the deck isn't even usable.
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For collectors: On the other hand, if your deck is geared to be primarily for collectors, then none of this matters too much. Then it is quite fine to have more extensive customization, even if you compromise somewhat on the clarity, because your playing cards aren't intended to be used in performances or games, but rather enjoyed and appreciated as a work of art. You might also want to invest more time and energy, and even cost, into a more glamorous tuck box with embossing and foil, or even a limited edition with a custom numbered seal.
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For cardistry: Something similar regarding the clarity of the indices and pips is true of a deck geared towards card flourishing. A cardistry deck has a very different function than a regular deck, so having clear indices and pips isn't your biggest priority. Instead you want cards that look aesthetically pleasing, especially when the cards are moving or displayed. But even then you have to consider whether you want a design that looks optimal in fans and spreads, or whether you are more concerned with how cards look in motion, in spins and twirls. A different focus and emphasis will lead to a different design. This is one reason why some cardistry decks feature geometric designs, while others feature lavish colours. Even a simple choice like whether or not to have a two-way or one-way design on the card backs can have a big impact on how a deck will look when it's being used for flourishing, and you don't want to make the mistake of only thinking about this for the first time only after your deck is in print.
Another important factor will be how many decks you want to print. If you are planning on producing a relatively high volume, of at least 1000 decks or more, that will give you access to the bigger card manufacturing companies, that typically require a minimum order size in that range.
2. ARTWORK: Your Design What is your deck going to look like? What will the cards themselves look like, and what about the tuck box? This isn't something you want to rush, because it is going to be the key thing that makes or breaks your deck. A poor design won't look good when it's published, nor will it attract buyers.
Your Direction The purpose of your deck will steer your direction here. So will your personal taste, which will determine what aesthetics you prefer. Beauty is in the eye of the beholder. Even so, there are principles of design that are almost universally applicable. You should keep in mind some objective criteria, like the concepts covered in my article:
What to look for in a quality deck.
For example, cards with black borders will show signs of wear much more quickly, as the white paper shows underneath. This is a practical reason why most playing cards have white borders. Similarly borderless card backs with full bleed artwork may look nice on a computer screen during the design process, but they can be impractical for card magic, because white borders can help disguise reversed cards and certain sleight of hand moves. This is an example where the direction of your artwork will be shaped by the purpose you have in mind.
There are also aesthetic considerations such as aiming for a straight forward overall design on your card back, because something overly busy with too much detail typically won't work well. Experience can play a role here too, because someone who spent a lot of time with playing cards, may be able to give good advice about what works and what doesn't. Colour distinctions between the traditionally red and black pips, and even the arrangement of the pips of the number cards - all of these things involve standards of beauty and excellence, and have implications for functionality and aesthetics.
Your Artist Once you've got an idea of what you want, you have to decide whether you'll do the artwork yourself, or get an expert in the field to do it for you.
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Self-designing: If you are going to do the artwork and design work yourself, you'll want to start with some standard artwork for the cards, then changing these as you go along. Often the printer you are working with will be able to supply you with a starting point. Also check the kinds of files that your printer accepts, and the requirements they have in terms of bleed areas, dimensions, and more. Some fantastic software is available for doing digital artwork, but if you are interested in doing this, expect to spend a lot of time with your computer, exercising your creativity and getting the details right. On the other hand if all you're designing is a custom card back, then this process might turn out to be quite easy, because you can use standard card faces, and all you have to come up with is a custom design for the back of your deck.
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Freelance artist: You might find a freelance artist online whose work you like, and perhaps even a very specific design that you want to use for your card backs or another aspect of the playing card artwork. Obviously if you get someone else to do the work, you're going to have to find someone that you can work well with, that communicates clearly and promptly, and where you can afford the extra cost. If it's a graphic artist who is coming up with the artwork and designs for you, you will have to pay for this, and that might cost more than you might think. This will also have an impact on ownership of the final designs, because as a creator and collaborator, they own what is fundamentally their work, which they'll be selling to you. Expect a lot of back and forth communication, depending on how much input you want to have as the design takes shape, unless you prefer to just give your overall concept and let your graphic artist run with it however they please.
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Design agency: Even if you do decide to do most of the designs yourself, if you are inexperienced in this area, you might want to pay a graphic design agency to do the final cleaning up for you. In this case you retain all the rights to the artwork, and they are just polishing your overall design.
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Publisher: You might collaborate with someone who has a proven record in publishing custom decks, and is interested in working with you on your project. If a publisher is working with you, you'll just be tapping into their expertise in the field, and they'll leave all the actual work of creating the artwork to you, and help walk you through the steps you need to take along the way.
Before getting too heavily invested in a particular graphic design, you have to know which company you'll be printing the decks with. Different playing card manufacturers will have different requirements for the files you have to submit. Typically they will provide information about the kind of files that they accept, including full details about the bleed area, and colour choices.
In this early stage of your project, it's usually a good idea to print a few prototype decks, so that you can check to see how your artwork and designs looks. You may need to use a different company for printing the prototypes, since the larger manufacturers typically won't let you produce only a dozen trial decks. But it is an important step in the process, especially if you are planning a big print run, because that way you can catch any mistakes that might have escaped your notice. It also gives you some decks you can send to reviewers, who will help you spread the word as part of your promotion. You can also use these for making a video trailer and promotional photos of your deck. You'll need all this for the marketing campaign that is essential as part of a crowdfunding project.
Whatever route you decide to go, this isn't a part of the process that you want to rush. Take your time to get things right, so that you can be happy with the result.
3. PRODUCTION: Your Printer Of the different playing card manufacturers out there, who are you going to use to physically print your cards? As mentioned, this is something you'll have to consider before you even start your graphic design work, because it will have an impact on the types of image files you create, and details like the dimensions and colours.
There are a number of large playing card manufacturers, most of which are quite well known, and but there are also some smaller players worth considering. Which you choose is not just a matter of price, but it also depends on your needs, such as the volume of decks you are producing, and the kind of quality and service you are after. Here are the main contenders:
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United States Playing Card Company (USPCC) - This is the industry giant and heavy-weight, which produces the most playing cards in the United States today. It was established in 1894, and was recently acquired by European company Cartamundi. This isn't something you need to worry about too much, however, because USPCC is an established brand, and not likely to stop any of their product line any time soon; if anything they will only get better. The merger with Cartamundi does reduce some of the competition in the industry, but if it means that USPCC can build on its established products and improve them with the benefit of technology and input from Cartamundi, then everyone stands to benefit. One negative to be aware of is that USPCC decks are notorious for having inaccurate registration, which means that occasionally a deck will be printed with inconsistent borders, looking particularly ugly if the design has narrow borders. USPCC also does not do small size orders, so they will only really be an option for you if you are planning on producing at least 1000 deck. But they're one of the biggest and best, which is why so many projects choose to print with them.
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Cartamundi - Based in Europe, this is another giant manufacturer of playing cards. However it is only in recent years that they have started to become a big player in the custom playing card market. Previously no playing card projects used them for production, but that has changed over the last year or two. Their style of playing cards looks and feels quite different from a standard Bicycle deck from USPCC, and will also handle differently. Overall their playing cards have been very well received and are of excellent quality, but they aren't for everyone given the different feel. In recent times big brands like Ellusionist have been printing more and more of their custom designs with Cartamundi instead of USPCC, and when a large company like Ellusionist is confident enough to do this, it means you can have confidence in Cartamundi as well. Like USPCC, you will need a decent size order, which for Cartamundi is a minimum of at least 200 decks.
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Legends Playing Card Company (LPCC) - LPCC prints the bulk of their playing cards in a factory in Taiwan, and has been a popular choice for many crowdfunding projects due to the high quality of their playing cards. The card stock is extremely durable, even more so than USPCC playing cards, but it tends to feel stiffer and snappier, resulting in a different feel, which is especially ideal for cuts and cardistry. Fans and spreads can start to clump a little over time, but overall LPCC decks are of a standard that almost matches USPCC decks, and exceeds it in some areas, such as the smooth cut on the sides of the deck. And unlike USPCC printed decks, their printing registration is consistently spot on, so a design with narrow borders is never a problem. In a new development, they are also starting to work with another factory in China, where the quality apparently matches that of the Taiwan factory.
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Expert Playing Card Company (EPCC) - EPCC also prints the majority of their decks in Taiwan, where they share a factory with LPCC. These two playing card manufacturers are typically lumped together, and although they use different terminology to describe their available finishes and card stock options, their final playing card product is practically identical in most cases. EPCC is managed by Bill Kalush in the USA, while LPCC is run by Lawrence Sullivan in Hong Kong. Much like USPCC, LPCC and EPCC both require a minimum order size of around 1,000 decks.
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Hanson Chien Production Company (HCPC) - While not as big a name as the previously mentioned manufacturers, there has been an increasing number of decks produced with HCPC. They offer a decent range of different types of card stocks and other options for printing, with a look and feel extremely similar to playing cards produced by LPCC/EPCC, so I wouldn't be surprised if they employ similar processes, and the same factory in Taiwan for some of their decks. Their playing cards typically have a long-lasting, firm, and snappy stock with an embossed air cushion finish. Their decks closely match the quality and handling of those from EPCC/LPCC, although they haven't produced nearly as many projects.
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Taiwan Playing Card Company (TWPCC) - This is another smaller manufacturer based in Taiwan, and is closely linked to their distributor Bomb Magic, which produces magic supplies for the Asian market. Their playing cards are quite similar to the previously mentioned Taiwanese playing card manufacturers, and they also use the same factory and create a similar product. English isn't their first language, however, and in my own experience in corresponding with them, communication can prove to be a challenge.
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Shenzhen Wangjing Printing Co (WJPC) - Based in mainland China, WJPC has a large operation. Creators that have used them in recent years include Elephant Playing Cards and Guru Playing Cards. I'm told by those who have used WJPC personally that they have a comprehensive range of options and competitive prices, are easy to deal with, and good in communicating quickly and respectfully. The quality of their decks won't quite match what you'll get from manufacturers like USPCC, Cartamundi, or Taiwanese-based producers, and decks won't fan or spread as smoothly. But they do have an air cushion finish, are very well priced, and the average person will likely be happy with the outcome.
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MakePlayingCards - Called MPC for short, this company is one of the smaller players in the industry. They have their own line of playing cards as well, and especially their Impressions series does a good job of showing the kind of potential with UV spot printing, a secondary printing process that adds gloss and a tactile element to the surface of the cards in selected areas. MPC is especially a popular choice for smaller print runs, and they have also been used by a lot of creators needing to print prototypes. They're based in Asia, and have a proven track record of success. Their embossed playing cards are definitely superior to cheaper options elsewhere. Even so the handling of their best playing cards won't match that of playing cards produced by bigger players like USPCC, Cartamundi, and LPCC/EPCC. MPC cards will tend to clump more quickly, and not fan and spread as smoothly in the long run; nor will they faro easily and readily.
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Shuffled Ink - This company offers a similar service to MPC, but is based in Florida. Although they occasionally produce some of their products in China, the majority of their playing cards are printed and produced in the United States, and for some creators this will be an important consideration. From personal experience, the quality is quite similar to that of decks by MPC. When you are making a custom deck, you will want to produce some prototypes to see how your design will look on a printed deck, and since that isn't offered by larger companies such as USPCC, manufacturers like MPC and Shuffled Ink are perfect for the purpose. Shuffled Ink can produce cards with a high quality embossed (linen) finish, and they also can print in small quantities, unlike some of the bigger companies.
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Noir Arts (NPCC) - Also known as the Noir Playing Card Company, Noir Arts not only prints playing cards but also offers a fulfilment service for shipping them to your buyers and backers. They are based in the Ukraine, so communication may not always be as smooth as it is with some of the other playing card manufacturers, although they do have English speaking staff. They print a high volume of cheap decks for local tourism in Europe, but also have been printing custom playing decks for project creators, and doing production and fulfilment for some crowdfunding campaigns. Their strength lies in producing outstanding tuck boxes, many of which have a quality level easily exceeds a typical deck from other publishers. They do offer embossed card stock, but their playing cards tend to clump quickly, and do not shuffle smoothly or consistently. So the quality of the cards themselves is noticeably less than what you will typically get with a deck printed by other publishers, making them less than optimal for cardistry, magic, or card games, and better when intended just for collectors.
The above list can seem a little overwhelming, so let's narrow down your options a little. For the best quality possible and with a large print run of at least 1000 decks, consider USPCC, Cartamundi, or LPCC/EPCC. If you're just printing a smaller number of decks, such as prototypes or a small print run for family or friends, try MPC or Shuffled Ink; only serious cardists and dedicated collectors will notice that their cards won't fan quite as smoothly, and the average person will still be impressed with the quality and air cushion style finish. You might consider the other manufacturers if you want lower prices, but this comes with an increased risk of a reduction in quality.
Tuck boxes What about your tuck boxes? Most playing card manufacturers will take care of this for you, and print these along with your deck, for an added cost. There are companies that specialize in producing high end tuck boxes, or perhaps can offer a better rate than big players like USPCC, and the one mentioned the most often with praise is
Clove St Press.
Just be aware that this will add an extra step into the production process, so it means that it is an additional thing that can go wrong, and thus can slow down the overall fulfilment timeline. But if you do want something more exotic or luxurious for your tuck box, this is an option to consider.
4. FUNDING: Your Finances How are you going to finance your deck? Are you going to get help from a crowdfunding platform, or just bankroll everything yourself? A word of caution here: Don't expect to make money from your first deck of playing cards, even if you use crowdfunding! Even if you're using Kickstarter to get financial backing for your project, printing your deck may still end up costing you money. So it's important to carefully do the math, and be aware of everything involved.
Self-funding If you have deep pockets, you might want to go ahead and funding the project yourself upfront. But this typically involves significant costs up front, and there's no guarantee that your decks will sell. Do you really want to be stuck with boxes and boxes of playing cards in your basement that nobody wants? Another disadvantage of bankrolling your own decks is that you'll need to market them afterwards. Crowdfunding projects aren't just about raising money, but they are also function as a pre-order system and advertising campaign rolled into one, so typically your decks already have buyers at the time they are printed.
On the other hand, crowdfunding can involve a lot of headaches and extra work, and it might be important for you to avoid all of that. But going the self-funding route does have a bigger risk, and you need to be prepared for the eventuality of things not turning out how you'd hoped. Established designers and creators who are certain to sell their product will sometimes self-fund their project, but only because they already have a guaranteed market. Even then many will still prefer using Kickstarter, simply because it gives them a good idea of what the demand is, and it takes care of their advertising and promotion at the same time.
Publisher-funding If you're fortunate, you might be able to find a publisher that is willing to buy your design outright, and fund your deck for you. In this case you're basically selling them your design, so this might be the best option for someone whose strength is as a graphic designer or artist, and doesn't want to deal with the marketing, production, and fulfilment at all. Examples of companies that have published decks created by other designers included Ellusionist and Murphy's Magic. Ellusionist tends to have in-house designers, and most of their decks fit within their own vision for their brand, and are shaped by this. In contrast, a publisher like Murphy's Magic is more flexible, and has published many custom decks under their label.
Murphy's Magic has their own design team and production team that specializes in playing cards, so some of their playing cards are produced from start to finish completely in house. But you can also submit playing card designs, which they will then adjust to their standards, and then take care of printing, distributing, and even some marketing. To be successful in getting your deck accepted for publishing by them, however, you will need to have a very good design. They get a lot of submissions, and are only going to be prepared to make an investment in your design if they can be confident that they will actually get a financial return on what they put into printing and publishing it. After receiving your proposed design, they have a thorough testing process to see if it fits what they are looking for, and then their development team takes it over. But the plus side is that you don't need to try to scrape together the money yourself. Creators who have succeeded with this model have reported that even this method won't leave them with much money left over, especially if you're paying a graphic designer or artist to come up with your designs in the first place.
Crowd-funding Although there are other crowdfunding platforms like Indiegogo, Kickstarter has easily emerged as the leading platform of choice for creators of custom decks. The advantages of using a crowdfunding platform are obvious: you get money in the bank before you have to start paying the costs of production. And there is always that slim chance that your custom deck will go viral, become popular, and hit the big time. It's happened before!
But the crowdfunding route also has challenges. In today's crowded marketplace, it's not just a simple as putting your deck out there for funding on Kickstarter, and kicking up your heels while you wait for the money to roll in, as backers arrive and pledge money in support of your deck. If anything, it is harder to have a successful project today than ever before. The playing card industry is somewhat saturated, and with new decks coming out all the time, it is very difficult to stand out from everybody else.
If you are going to get your project successfully funded with crowdfunding, you have to have a realistic target figure, and you're going to have to do a lot of marketing to get funded. I've seen many excellent designs fail to meet their target, simply because the creator didn't put enough effort into marketing. This requires a lot of work, and means you need a lot of connections. You need to connect with influencers and reviewers to help you get the word out. You need to be active on various social network platforms and discussion forums. Much of this work will have to be done in advance, so that you're ready to go with your marketing campaign as soon as the project launches, and often you'll even want to be busy doing promotion in advance. Once the project goes live, you need to engage with your supporters, and perhaps announce different goals or bonus items and add-on products along the way to keep up the momentum. This is hard work, and not everyone is cut out to do it.
There are exceptions, and the main one is if you already have an established brand or following. Popular creators and established designers like Jackson Robinson and Giovanni Meroni nearly always get their projects funded very quickly. But these are in-demand designers who have worked hard to build up a successful brand and a legion of fans. If you're Mr Nobody arriving out of nowhere with your first deck, you won't nearly get the same response.
Sometimes a creator will get cross-over supporters from other arenas in which they have had success. For example, Gentleman Wake is a highly respected video reviewer with a large following on youtube, and his Parlour Playing Cards was a big success due to the supporters he could bring in. Similarly magician Chris Ramsay could produce his 1st Playing Cards largely on the back of his successful youtube channel.
But for the average creator, don't expect crowdfunding to be a magical money machine. It's hard work, and all the hidden costs along the way will often mean that you'll be happy just to cross your target goal, without thinking about making a cent of profit at the other end. Kickstarter itself will take a generous chunk of what you make, and there are a lot of other expenses you might not be counting on. There are some successful Kickstarter stories, but in today's competitive and crowded market, in most cases you should just be glad to break even, and at the end of the day you may even end up making a loss. Despite all the glamour and the big numbers you sometimes see on projects, for most creators crowdfunding is largely a way to help advertise their deck and help get connected with a buying public, not a way of actually making a pile of money. Don't embark on this road to generate a reliable stream of income.
That doesn't mean crowdfunding is a waste of time. It's disappointing if your project fails, but surely that is a better outcome than investing over $10,000 into printing a deck of cards that never sells, and be stuck with boxes of playing cards in your garage for the next few years. Crowdfunding also has the advantage of helping spread the word, so it is a form of advertising at the same time. It even gives you the opportunity to make tweaks to your design to help improve it, based on input you get from backers.
If you do use Kickstarter, be smart about it, and plan the timing of your launch well. Smart creators do a build up (e.g. an email list), so that it can start with a bang. And don't have your launch happen at a time where you're less likely to succeed, such as the holidays, or when several other big projects are making so much noise that yours goes unnoticed.
So there are plenty of good reasons to go use Kickstarter to finance your deck. If you are going to go the crowdfunding route, just do your research, know what you are doing, and be well prepared for everything this involves. Do all your homework in advance, including most of your decisions about production and fulfilment. You can expect a lot of questions about the quality of your playing cards, and shipping costs, so you want to make sure you have all these details handy at the time your project launches. You want your pricing to be accurate, and that you are ready to answer whatever queries come your way. If all this sounds like it's a bit too much, you might just want to find a publisher or experienced creator team who knows what they are doing, and can partner with you to help.
5. FULFILLMENT: Your Shipping Once your decks are printed and produced, how are they going to get to your buyers? Are you going to do all this yourself, or are you going to get a company that specializes in this to do it for you?
Self-shipping A big advantage of organizing the shipping of your playing cards yourself, is that you can make sure that your buyers get the very best in service. But that is only if you're prepared to put in the effort required, and that may prove more than you think. It will be another enormous commitment of time and resources, and you will need to know what you are doing, or at least quickly learn how to do it.
How much is your time worth to you? Perhaps you're willing and keen to learn what the logistics involves, and will do a terrific job with this. Just be prepared for some real headaches along the way. You will almost certainly have to be involved in untangling cases where a deck doesn't arrive despite you shipping it, goes to an outdated address, or arrives damaged, and problems of that nature.
Fulfilment company Going with a company that takes care of fulfilment for you avoids all these headaches. But you'll want to make sure that it is a reliable company with a proven track record of success, and a good reputation. If they don't do their job properly, you can't just hang them out to dry, because your backers will blame you as the front man, not the company you're getting to do this job for you. So this is something you want to think through carefully, and not jump on board a company rashly just because they seem to promise much at a cheap rate.
There are companies that will partner with you for the entire process, or even just for part of it, such as the production and fulfilment, and here are a few you could look into using.
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Gambler's Warehouse: One of the most popular companies used for fulfilment is Gambler's Warehouse, and they seem to be the leading choice for Kickstarter project creators. They are very experienced in providing fulfilment for crowdfunded projects, and have been the company of choice for many creators over the last couple of years.
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Noir Arts (NPCC): Not only will they print your cards for you, but they also take care of the fulfilment of crowdfunded projects if you wish. But I'm quite certain their fulfillment service only applies to decks they have printed themselves, and as mentioned earlier, the quality of their decks is mostly suited to collectors. If you want a deck that handles smoothly and consistently, this probably won't be a good option, even if they offer an attractive price that includes fulfilment.
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Art of Play: This is the brand of Dan & Dave Buck, and this is the label under which they produce their own playing cards and run a successful online store. They also have an arm that specializes in fulfilment services for crowdfunding projects, even if they weren't involved in the production itself. They then handle all the logistics and the work of getting your decks into the hands of your buyers and backers.
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Murphy's Magic: Another option is to use a company like Murphy's Magic. But first you need to submit a successful design to them, and convince them it's good enough to buy and publish. If you are fortunate enough to come up with something they like, their development team takes over your design, and they take care of printing and distributing it, getting it into the hands of suppliers. Murphy's Magic doesn't sell directly to the general public, so they usually sell decks to retailers who will then market it. Of course you might decide to buy a large stash from them at a wholesale price to sell them yourself. But at least with this method they'll take care of getting the majority of your decks to retailers, and from there they become available to the general public, meaning you don't have to worry about shipping and fulfilment at all.
FINAL THOUGHTS As you can see, there's a lot to think about, and you want to research your options carefully before embarking on a road towards printing your own custom deck. But don't let the diversity of options scare you either, because it's not hard to get overwhelmed, thinking that the process is much more complicated than what it actually is.
In most cases your choices will become obvious after taking into consideration what you have in mind with your custom deck in the first place. Printing a small number of decks for family and friends, based on a design you've whipped up together on your PC, immediately rules out the industry giants, all of which have a large minimum order size. That leaves you choosing between companies like MPC or Shuffled Ink, and you won't have to worry about organizing shipping and fulfilment either. But if you're more ambitious and are serious about bringing a large scale project to the playing card market, then you'll have to think things through a little more carefully, and going with an established playing card manufacturer like USPCC, Cartamundi, or EPCC/LPCC will make good sense. Either way, your options narrow as you plug in the considerations important for you.
Once you've got some direction, one of the biggest questions you'll have to decide is whether you can manage everything yourself, or whether you need help from someone with experience in the field. Perhaps you're brave enough to navigate the crowdfunding scene on your own, and are prepared to do all the hard work this involves. But for many people, it might be a better idea to partner with other experienced individuals along the way, either by collaborating with a publisher who can do some of the work for you, or by leaving parts of the work to experienced and proven experts, such as a graphic artist, or a company experienced in shipping and fulfilment. One option is to use the services and expertise of a professional consultant, like
Max Playing Cards or
Don Boyer.
Whatever you decide, this article should make you appreciate all the more the effort it took to bring you the playing cards that are displayed on your shelf or desk right now. And perhaps it might just give you the tools you need to contribute a creation of your own, and bring it to my desk or to the shelves of other playing card enthusiasts around the world!
submitted by can i file as a professional gambler? Gambling losses are not deductible against gambling winnings unless the taxpayer is deemed to be a "professional gambler," where gambling is the taxpayer's business activity for federal tax purposes. Gambling losses are not deductible against any other taxable income. "The bottom line: It might be possible for you to file as a professional gambler even if you don’t meet every standard. However, you’ll have to show that the profession of gambling is your primary one on as many levels as possible — time, earnings, expertise, etc. The IRS recognizes the term "professional gambler." There are rules and regulations, and you get a W-2G [ not 1099 ] from the casinos when you win "big." For smaller amounts and losses you need to keep a contemporary log book. And yes, if you win enough (and or have other additional income) you need to file a 1040. Professional gamblers would normally not be allowed to file for unemployment insurance benefits in Nevada, but circumstances have changed amid the COVID-19 pandemic. If you file a tax return as a professional gambler and the Internal Revenue Service disagrees, you may be subject to penalties. The tax lawyers at Nardone Law Group, LLC have previously written about tax deductions for professional gamblers, which can be found here. Generally, the tax deductions available to professional gamblers are more These are the professional gambler, the antisocial or personality gambler, the casual social gambler, the serious social gambler, the relief and escape gambler and the compulsive gambler. Unlike the others, however, professional gamblers take their hobby very seriously and like to think of it as a profession. According to new reporting by the Las Vegas Journal, professional gamblers can file for unemployment under the CARES act. Professional gamblers of all types can file for unemployment for the first time as independent contractors. For professional poker player Chris Konvalinka, the news comes as a welcome relief. There are two main tax benefits of filing taxes as a professional gambler. First, it allows you to net your wins and losses which leads to a much lower AGI which in turn affects a great deal of tax deductions. Second, it allows you to deduct expenses incurred while gambling such as food, travel, and equipment. Like most small businesses, professional gamblers can deduct expenses that the IRS considers “ordinary and necessary” to “carrying on any trade or business.” The website ProfessionalGamblerStatus.com provides a long list of tax deductions for professional gamblers you can deduct, ranging from internet connections (if you play online gamblers, filing with professional gambler status, deduct expenses on Schedule C, consequently, a professional gambler does not have to itemize deductions to deduct gaming expenses. security traders without trader status (i.e. investor status) deduct expenses on Schedule A subject to a reduction of 2% of Adjusted Gross Income (AGI).
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